Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged if undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David desperate to escape; the Poacher denying his container of scrumpy, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
There is only one important plot development, but it results in a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film releases in British and Irish theaters from November 17.
